Who is marcel breuer

Things began to look brighter when, as McCarter writes, a friend handed Breuer "a little brochure from the Bauhaus with the emblem: Return of the Craftsman and a woodcut by Lyonel Feininger".

Breuer, who had been busying his hands working for an architect and cabinetmaker in Vienna in order to "become more practical", headed to Weimar to enrol. At 19 years old, Breuer was one of the youngest students to enter the Bauhaus. Joining in , a year after the school's opening, Breuer was alongside Josef Albers , and both took part in the then newly established preliminary course.

Paul Klee would join the school as a master soon after. Surrounded by expressionism, Breuer was an early proponent of the more rational approach that the school would become known for in the mid s. Any form of dedicated architectural training at the school was still around seven years away, so Breuer ended up in the carpentry workshop, graduating in and heading to Paris to further his architectural studies — which included meeting Le Corbusier.

Breuer's work was in many ways a perfect demonstration of the Bauhaus' ideals of art meeting industry. Early versions of the B3 chair were only made possible due to steel manufacturer Mannesmann developing methods that removed seams from steel tubing, and the fabric straps later replaced by leather that constitute the chair's arms, back and seat were developed by Margaretha Reichardt, a weaving workshop student.

So impressed was Gropius that in he persuaded Breuer to return from Paris to the new Bauhaus in Dessau , offering him the position of young master at the carpentry workshop.

Two years later, Breuer would complete the interiors for the model Weissenhoff Estate — led by Ludwig Mies van der Rohe — at the Stuttgart Exhibition. His experiments with tubular steel also continued with stools, tables, and folding and cantilever chairs. There remained, however, little chance for Breuer to put most of his architectural designs into practice. In , aged 26, he left the Bauhaus to establish his own architectural office in Berlin, supported by royalties from the sale of his chairs.

A room at the Ventrice apartment, London, Walter Gropius, Weissenhofsiedlung, house 16, furniture designed by Marcel Breuer. Although Breuer reached worldwide acclaim for his furniture, he was always fascinated by architecture. The exhibition traces his transition from furniture design to architecture, bridging the gap between the two.

All rights reserved. Dining room at the Piscator apartment, Berlin, Smith and Robert Gatje. Publicity shot with garden furniture for the company, Wohnbedarf AG, Zurich, around ; aluminium furniture by Marcel Breuer. House for a sports personality, with a living area that incorporates a gym. Sign up to receive Yatzer's newsletter and get our latest stories twice a month delivered directly to your mailbox.

His predominant style displayed brutalist tendencies , applying new forms and uses to newly developed technology and materials creating art and architecture expressive of the industrial age. His work in both architectural and furniture design was acclaimed across the world, but some things about this renowned architect are less broached and hence less known. Although his real passion was architecture, Marcel Breuer was widely known for his furniture designs. He gave the world some of the first tubular steel furniture examples that got him recognized globally.

In fact, his chairs — Wassily chair and Cesca chair — were amongst the ten most important chairs of the 20 th century. Akin to his architectural creations, his furniture was the exemplification of the integration of art and industry. His fascination with modular construction and simple forms is lucidly intelligible in each of his. After graduating high school in Pecs, Hungary, Breuer was offered a scholarship to study painting in the Academy of Fine Arts in Vienna. But the atmosphere of the academy could not meet his expectations, leading him to dislike the place immediately.

The Bauhaus, established in , has a mission to integrate functional design to principles of art. Breuer was one of the first and youngest students to enter Bauhaus at 19 years of age after one of his friends handed him a brochure from the same. It was the first time an armchair was reduced to its most basic structure, making it one of the most spectacular works of the Bauhaus. Marcel Breuer lived off his design fees in the late s and early s when architectural commissions were few and far between.